Artist Martin Lukáč uses simple shapes and primary colours in his work to explore childhood memories of growing up in post-communist Slovakia.

Lukáč was raised in in Petržalka, the largest and most densely populated borough of Bratislava; a suburb characterised by rambling rows of grim paneláky, a form of pre-fabricated concrete residential units, which spread across the Eastern Bloc during the communist era.

Against this backdrop of concrete, the bright, geometric murals, mosaics and sculptures that punctuated public squares were an important part of people’s lives, often serving as the only means of distinguishing one area from another. Lukáč draws on this association and works with these modernist shapes to create paintings and 3D sculptures that capture the essence of post-Modernist, communist public art.

Lukáč is an ardent fan of mixed-media work. His 3D sculpture and installation pieces are often made from what we might call junk – recycled fridge-doors, chipboard and old ceramics – but represent the essence of a concrete jungle art scape. In amongst the inanimate shapes, and often comprised of them, his representation of the human form, though surreal and abstract, is captivating. Humanity is the focal point of Lukáč’s work.

Though he lives and attends art school in Prague, Lukáč’s art is a poignant tribute to, and exploration of, his roots; a beautiful and startling account of a time period that seems unreal to some, but is brought to life through his faithful representations.

http://lukacmartin.com/

Words Imogen Baker